DE CHAIR ET D'ÂME
I draw most of my inspiration from my life experience and I look for the connection with modern civilization in the museums ancient paintings, thus pursuing the philosophical meaning of my artwork, blending the real with the unreal like a dream. In my paintings, I use tea and coffee to stain the background, interpreting the unconscious desire that drives human beings every day.
I choose delicate and tough silk as the main material for my paintings, not only to present the essence of the East, but also to be close to my personality. The flow of the pigments on the silk and the traces the air bubbles produced by the breathing process of the canvas and the shrinkage of the silk caused by the drying process of the ink, all express the changes of desire in our daily life. In my work, you can see the faint desire like a veil. Sometimes it is like a mountain or a cloud that cannot be clearly seen, sometimes it is like a dream that cannot be easily interpreted, but sometimes it is bold and naked and directly presented in front of our eyes.

"In ancient Rome, physique reflected social status; only the nobility had the privilege of physical fitness, often utilized to intimidate enemies in battle, leveraging visual impact as a psychological tactic. Today, it has evolved into a symbol of desire. Our desires stem from within our bodies, whether for wealth, power, sex, or certain objects. Thus, I consistently employ the human form to explore the phenomena of desire and society."



2022 PARIS SOLO EXHIBITION GALERIE DE THORIGNY
06/JAN - 05/FEB









